OxiArt

Art · Artists

Nigerian · 1946–1996

Rufus Ogundele

Oshogbo School

Rufus Ogundele was one of the first-generation Oshogbo artists. As a teenager he acted and played music in the theatre company of his uncle, Duro Ladipo. He began making art at Denis Williams's 1963 workshop in Oshogbo. Afterwards Georgina Beier took him and Jacob Afolabi into her home studio, where he learned linocut. From the start he painted on a large scale, often in household emulsion paint. His figures are outlined in heavy black against flat fields of white, blue, green and red, a look that critics compare with German Expressionists such as Nolde and Kirchner. His subjects come from Yoruba religion. He was raised a Christian but was devoted to Ogun, the god of iron, and his works show orisha, shrines, sacrifices and mythic scenes. In 1968 he moved to Ife to assist Solomon Wangboje at the Ori Olokun workshop. He later co-founded the Ogun Timehin studios and trained younger artists. In 1983 he was artist-in-residence at Iwalewa-Haus in Bayreuth, Germany. His 1960s paintings were shown at Tate Modern's Nigerian Modernism exhibition (2024-25), which has raised interest in his early work.

School or movement: Oshogbo School (Mbari Mbayo, first generation).

Influenced by Denis Williams, Georgina Beier, Ulli Beier, Duro Ladipo theatre, Yoruba religion (Ogun, Sango), German Expressionism (as noted by critics).

Works

The movement

Oshogbo School

1960s onwards · Oshogbo (Osogbo), Osun State, Nigeria · Nigeria

Grew out of the Mbari Mbayo club and the workshops of Ulli and Georgina Beier, Susanne Wenger and Duro Ladipo in the early 1960s. Artists with little or no formal art training drew on Yoruba myth, orisa worship, folktales and the life of the town.

What to look for

Bold, flat colour and outline; dense pattern filling the picture; figures from Yoruba myth and the orisa; beadwork, batik and adire techniques; lino and metal relief; a strong sense of storytelling.

Masters of the school

Read more

Also of the Oshogbo School